Tag: Fiction
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Beckett, Lacan, and the Gaze
The book advances the claim that Beckett’s visual universe can be described neither through a general theory of “modernist perception” nor through a simple psychoanalytic allegory of seeing, but only by reconstructing the specific way in which the gaze functions as an impersonal, structuring dimension where subject and world fail to meet. In forming a…
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‘The Unnamable’ by Samuel Beckett
Beckett’s The Unnamable presents itself as the limit‐case of narrative fiction and as an experiment in what remains of subjectivity when every conventional support of the novel—plot, character, world, and even a stable first person—is progressively dissolved. It pursues, with almost pedantic consistency, the question of whether there can be a self at all once…
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Stories from Wagner
The distinctive contribution of Stories from Wagner lies in its careful construction of a narrative hinge between mythic material and the nineteenth-century project of the music drama. It composes a lucid, story-forward surface that remains legible to new readers while quietly staging a set of methodical choices about origin, authority, and transmission—how oral legends, medieval…
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‘The Art of Literature’ by Arthur Schopenhauer
Schopenhauer’s The Art of Literature advances a stringent, programmatic account of writing in which the value of literature is indexed to the purity of its cognitive aim and to the discipline with which style renders thought visible. The volume’s distinctive contribution is twofold: first, it binds the praxis of authorship to a normative anthropology—of learning,…
Simon Gros 